Tag: Beltamar’s War

  • on Motives to Writing

    Why do we do the things we do? Motivation to the apparently inexplicable is a theme throughout Malmaxa. Few things are ever done “for no reason”, but to comprehend the reasons for apparently inexplicable acts we need to understand the person who commits them. In Beltamar’s War there are no characters, only people who sometimes don’t even understand themselves, yet long to be understood. But this post isn’t about Beltamar’s War, it is about my motivations for writing.

    This post originally appeared on a blog named “The Story Behind the Book”. A couple of days ago pure chance, if you believe pure chance exists, brought me back to it and since such blogs have a way of vanishing overnight I’m re-posting it here. Like many writers, thought of my hardwrought words being lost distresses me. Anyway, here is the post – intact save the opening paragraph.  I hope it tells you a little about my motives for writing the things I do, the way I do, when I do.

    The Story Behind the Book

    At age six, I lost my father to a heart attack caused by a surgical blunder.  With seven children to care for, circumstances forced my mother to enter the workplace as a self-taught bookkeeper.  Though she has never expressed it, I can only imagine how desperate she must have been, and how difficult those times truly were.  We had a home, food, hand-me-down clothes, and all the love any child could ever need.  For our birthdays and Christmas, we’d receive the necessities – to this day, the Christmas gifts I treasure most are new socks, and plain cotton handkerchiefs.  In other words, we were destitute, yet didn’t know.  Though I was the fourth child of seven, I never doubted that I was my mother’s favorite middle child.  Each of us held a unique variation of the coveted title, “favorite”, and none of us begrudged the others theirs.  Hearts are strange things, their capacity for love is limitless, yet every iteration of love is unique.

    Shortly after my father’s death, my Godfather assumed the role of father figure, for me.  He was a bachelor, never married, and recently forced into early retirement for his political beliefs.  He lived in a tiny, one roomed cottage a few miles from our house, and he read a great deal.  His love let me escape to the companionable solitude of afternoons spent reading, or talking about all kinds of things.  While he never directly mentioned his political views, which I later learnt were of social justice, he always held true to them.  Although my Godfather had excellent vision, he was the first truly blind person I met – in a time of widespread discrimination, he never considered people in terms of race, gender, creed, or social status.  To him, there were only individuals, their worth determined by nothing save their character.  Where you and I look at someone, and see their physical characteristics, I know my Godfather looked at people, and saw their soul.  Circumstances shape character – in that crucible, a hard life results in the finest clay.  I recall an incident when someone stole the radio out of his car.  Outraged anyone could do such a shameful thing to such a decent person, I expounded on how harsher penalties were needed – this was the prevailing thought of the time (it seems to have remained prevalent).  My Godfather astonished me by shrugging off the incident, and asking this question, “Who is the guiltier person – the one stealing the radio, or the one who buys the stolen radio?”  I was about eight at the time, but I grasped his meaning.  He never replaced the radio, and we never missed it, using its silence as an opportunity to talk instead.

    When I was around seventeen years old, my Godfather left Rhodesia and moved to southern Spain.  This was during the height of the counter-insurgency war wracking that wonderful country.  I think only the most unfortunate are capable of seeing their youth as they truly were.  I don’t count myself among those deprived of a splendid childhood, so to me Rhodesia was a wonderful place of liberty and dignity for all.  In the decade I spent with him, my Godfather took me all over the country – we visited its wonders, and met many of its gentle people.  After he left, I completed my matriculation and volunteered for National Service nearly a year ahead of my scheduled conscription.  I firmly believing doing so was service to my country, and I held a great fear it would fall to the communist backed insurgents if I waited.  Looking back, I feel great remorse – not for serving my country but for the actions of my distant forefathers.  Europeans corrupted an honorable, ancient culture.  Centuries past, they took their beliefs and imposed them on a spiritual, primitive people who had been entirely self-sufficient.  Western values have little place in Africa.  Is the right of conquest a right, or an immoral imposition?  Yet that happened long before my birth, should I feel shame for the actions of my ancestors’ ancestors?  Although my heritage is European, I’m fifth generation African, my soul is of the Dark Continent.  This understanding is now a cornerstone of my philosophy – simply because someone holds different beliefs to you, does not make them wrong, it simply makes them different.  Without diversity, is doom.

    By now, I’m sure you’re wondering what any of this has to do with my series, Malmaxa.  The answer is a significant amount.  I’ve lived through hard times, held prosperity in my grasp, and seen hard times return.  I’ve been a combatant in an insurgency war, witnessed terrible deeds, and done shameful things.  I’ve remained silent, when I should have raised vocal objections.  I’ve lost a brother to cold-blooded murder, and lived to see the day of his killer’s execution, though not the execution itself.  Each of these things, and countless others, most better but some far worse, have shaped me into whom I will become.  Of them all, I count the influence of my Godfather and mother highest.  They revealed a better world than that in which we dwell.  A world where character counts for more than dogma, material wealth, or inherited acclaim.

    Beltamar’s War introduces my literal world – a place stripped bare of most all that makes people behave as poorly as we do.  Malmaxa, is my metaphor of a world where character counts.  Is it a perfect place, inhabited by imperfect people, or a world where insidious evil enslaves the innocent?  It might be both of these – venture in, and find out.

    Join me in on my continuing journey through Malmaxa, where every deed or misdeed modifies perception, and perception is the ever-changing clay used to mold character.  If you’d prefer to travel alongside me in this world, follow me on Twitter, where you can find me as @CGAyling

    {P.S. If you’ve read this far I think you’ll understand why I chose to use my Godfather’s name as my pseudonym. Sometimes motives are hard to comprehend, but sometimes they’re the simplest things in the world…}

  • on What my writing Isn’t

    Someone on Twitter was kind enough to send me a comment via DM about her reasons for deciding not to read my work.   Essentially this post encapsulates her comment and my reply, which she entirely motivated.

    Beltamar’s War, and the series it begins, is the work in question.   As there isn’t a genre whose description correctly defines precisely what Malmaxa is about I was forced to choose the closest mismatch, which is “Fantasy”.  So, am I saying my work isn’t Fantasy?  Yes, I’m saying precisely that – Malmaxa is not Fantasy.  Unfortunately, to grasp what Malmaxa is you’ll have to read it for yourself. And no, that isn’t an artfully designed sales pitch – read the reviews to see how others perceive my work.

    In order to let me to reciprocate, I use a free program called CrowdFire to monitor who follows and unfollows me on Twitter.  One of CrowdFire’s features is the ability to send a message to new followers.  Please note this welcome message is the sole method of automation I use on Twitter, everything else is manually me.

    And with the preamble done, back to meat of this post.

    My CrowdFire greeting message, as it was during this conversation:-

    Welcome! If I’m not on your TL, I soon will be:)
    Meanwhile, read real reviews
    http://www.amazon.com/dp/B0054RFWU2
    & try it if it appeals. -via @crowdfire

    The DM comment.

    Excellent reviews. I’m afraid they didn’t change my mind. In fact, they reaffirmed that fantasy’s not for me. One review mentioned it read like a mystery. That appeals, but I think it would lose to a far out world and a cast of characters with odd names and powers. I don’t enjoy many movies of this genre either. Sorry, I’m sure it’s wonderful for the right person. Your writing is phenomenal. I’m impressed and intimidated. I love to read for enjoyment and I think your book would require more from me than I have to give. You’ll do well, my friend. You’ve produced a first rate novel. I hope you won’t unfollow me because I’d like to stay connected.

    My Reply.

    I think you should reconsider.  I use Fantasy as a means to place people in situations within which they can suspend disbelief and allow their minds to consider fundamental questions of the nature of right, wrong, and human motivation from a viewpoint other than their own.  My work isn’t about fireballs, obvious evil, ultimate good, and supernatural beings – it is about human relationships, their incredibly complex interactions, and the obscure little things that make us do the seemingly inexplicable things we do.

    I encourage you to read the free sample, which includes the first couple of chapters of the book before you dismiss my work as mere fantasy. To that end, here is a link to it on my blog – you can read it on your web browser of choice. 

    As to unfollowing you because you choose not to… well that is simply not who I am 🙂  Who am I?  I am a character in my own book, but interestingly enough I’m not the character my own family firmly believe I am.  They think I am Jalgar, but Jalgar is actually a representation of my Godfather, and my pseudonym.  Yes, the names may at first glance seem unusual, but there is meaning behind every one, and those who choose to investigate them will discover most exist in our own time.  For example the apparent villain’s name is Adelmar, you might be interested to look it up on the Internet:)}

    Regardless of whether you decide to read further or not, thank you so much for taking the time to reply.  I truly appreciate how valuable our time is, indeed I am saddened so few of us do.  Thank you for spending a little of yours on me.

     

  • Editing Resumes.

    Isn’t English a wonderful language?  So many ways to say the same thing, and so many things the same words can say.

    Does the title of the post mean I have taken up a new line of work and am now assisting others in the creation of polished, compelling applications for a new job?  No, it doesn’t mean that at all. It means I have once again resumed editing the second book in my series, Malmaxa. An enormous amount of time has been lost. Why?  Well my editor took a turn for the worse in her personal circumstances and proved unable to dedicate her time to editing.  It is more important for her to spend her time recovering, it is also more important to me that she heal than refine my work.  Perhaps in the future she will edit for me again, I hope so, but only the passage of time will answer that question.

    Unfortunately that leaves me over six months behind in the editing process.  Do I regret the loss of that time?  I do not.  You see, just as time is never gained, it is also never lost.  Time simply passes.  In the time that has passed, in those “lost” six months, I have not read The Pilgrimage at all.  I now find myself looking on my work with fresh eyes and this is what I see…

    Beautiful messages obscured by clumsy words, I see passion and I see pain, I see guilt and disdain, I see love flourish as it is gained.  Sometimes I am unable to see at all, for my eyes focus on the eternity scribed into those words so long ago, and sometimes my vision blurs from tears I still find myself unable to shed.

    One might think such powerful emotions would drain.  They do not.  They replenish a well that for many reasons has become depleted.

    Emotional energy is like a reservoir, that which we expend on others, others must replenish for us, or pretty soon, we simply run dry.

    I find it fascinating how my own words are proving able to rejuvenate me. Perhaps my prime goal as an author is the sincere hope they do the same for my readers, should they prove willing to delve deeper than the depth of a virtual page.

    Yesterday, in a text conversation with my eldest, she asked if I kept a private journal.  I replied that I do not. She said, “That surprises me given how active your mind is”.  Her answer both flattered and intrigued me. How can a mind ever be inactive?  I believe our mind operates continuously, even during sleep.  Perhaps sleep regenerates conscious energy from a subconscious pool, which in its turn is regenerated by our conscious thoughts?  I like the thought of flows, almost as much as I enjoy the flows of thought.

    Back to the topic at hand.  Journals might be a good idea. Especially if they allow us to capture the essence of our emotions for later consumption, in the times we find our emotional energy low.  Yes, thought of as an emotional battery, journals might be a fantastic idea indeed.  In a similar way I am finding Malmaxa is proving itself to be a bottomless reservoir of emotional energy for my sorely depleted soul.  Even if the only soul Malmaxa ever replenishes is mine, I consider it a success.

    So, let me correct myself.  Yes, I do keep a journal.  Malmaxa is my journal, as are these words, my Twitter tweets, and every word I write.  My journal is extremely private, yet parts of it I am willing to share. I hope you enjoy those parts, and that even when you do not, that they give you food for thought, if not sustenance for your soul.

  • Daniskira

    Similar to Faroene, this is a character poem wrenched from the heart of the Symbologist, Daniskira.

    As poetry so often does, it lays bare words, feelings, and fears that Daniskira dare not consider while she remains trapped inside my epic tale, Malmaxa. Should you find yourself confused, don’t be distressed. Sometimes we mistake our intuitions for suspicions. At others we mistake our suspicions for intuitions. Perhaps one of those circumstances leads to our confusion.

    ~ Daniskira ~
    ~
    My match’s memory sets my heart aglow.
    Such fire burns deep.
    Such fire burns slow.
    A smiling face to the world I show,
    yet when my eyes close,
    to my Demons I’ll go.
    ~
    Demons that in my dreams await,
    Demons that stir my fears,
    their hungers to sate.
    My opening eyes their feast do abate,
    yet their shrill screams
    still cast doubt on my fate.
    ~
    How I long to take comfort,
    in the arms of my mate.
    ~
    Will my match’s love last,
    will his feelings for me hold him fast?
    To these troubled thoughts,
    my Demons emit a derisive blast,
    “Surely such good things
    as Beltamar must pass!”
    ~
    How I dread the days spent apart,
    will our return to Malmaxa,
    grant us
    a new start?
    ~
    Deaf ears to our pleas do our Demons turn,
    and on our shoulders they pile
    and heap up their scorn.
    You see, it’s for misery our Demons do yearn,
    and so,
    our happiness do they spurn,
    and into our hearts cast Doubt,
    in which each of us
    eternally burn.
    ~
    My back bows beneath such weight,
    the hours grow long,
    the hours grow late.
    Till finally from slumber I wake,
    and from my dread dreams I escape.
    A clear mind shows me the path,
    that leads from their miserable hate,
    yet toward whence I know not,
    nor my ultimate fate.
    ~
    Oh how I yearn for the arms of my mate,
    Beltamar will offer me comfort.
    And yes, his comfort,
    I’ll gladly take.
    ~
    My hanging head releases my tears,
    from my eyes to the earth,
    do I watch them pour,
    my misted vision blots out all fears,
    and in my Chukrah’s embrace am I,
    once more,
    secure.
    ~
    Sunrise heralds a new dawning day,
    bringing relief, as into my duty I wade.
    The unmarked wait in slow moving lines,
    My task, my duty, my goal,
    and also my why,
    is to etch in their flesh their Soul sign,
    Soul symbols,
    granted by ancestors on high.
    ~
    Soul signs shimmer…
    these symbols of the Soul do I see,
    my Chukrah reveals their aura to me.
    Pure images in my mind flash on by,
    Soul signs,
    overlaid, on a starless, blue sky.
    Pure colors coalesce,
    Segattoo quills into these colors combine.
    And then,
    with fingers made nimble and sure,
    by the gift of my Chukrah,
    Soul signs into their flesh
    do I draw,
    ~
    Soul signs simmer…
    Soul signs burn,
    Soul signs into living skin
    do I set,
    Soul symbols,
    which I simply, can never forget.
    ~
    In the dark depths of my mind
    Soul Symbols digress,
    Chukrah calm staunches my unshed tears,
    Chukrah joy fills my heart,
    and my head,
    Chukrah joy…
    oh why,
    does it seem,
    such is ecstasy’s sigh.
    ~
    Safe in my Soul
    and in my heart too,
    my match does dwell.
    I long for comfort in the arms of my mate,
    comfort Beltamar granted,
    comfort,
    in which I so sorely long to partake.
    ~
    Till Beltamar’s return,
    till Malmaxa into the night sky will rise,
    till Malmaxa beneath the full moon does swell,
    in the clutch of my Demons I’ll dwell,
    held fast by their claws
    in misery’s hell.
    In Malmaxa I’ll be freed from
    my Demons’ tight grasp.
    Beltamar’s love is the key
    by which, at last,
    I’ll soon be set free,
    so onto his dream, and his match,
    I hold fast.
    ~

  • The Facets, of Character.

    What elements lend life to imagined character?

    Katie Salers, a young lady I had the good fortune of meeting on Twitter, recently published a review of Beltamar’s War. I am sure she would appreciate it if you’d pop over to her blog and read what she has so generously shared.

    In her review, which I enjoy and appreciate a great deal, Katie raised some important points about Malmaxa. I would like to focus on one question in particular. Namely, why does Malmaxa present such a large cast of characters? I’ll try and answer without revealing any spoilers.

    More than anything, Malmaxa is about people.

    As individuals, people are complicated enough, yet what really makes us who we are is not ourself. We are who we become because of our interactions with others. It is our perception of their actions that shape the raw gem of our inherent personality.  Each interaction polishes our personality into the multi-faceted, ever changing jewel our character becomes. Considered in that way, were we to interact with only a single person, the finished jewel of our character would only have a single facet. And perhaps more than anything else, that single facet would be a mirror of the person with whom we interacted.

    That is highly unrealistic.

    In reality nobody is limited to acquaintances with just one or two people. Yet in literature we artificially constrain our antagonists and protagonists to few interactions. Why? To keep things simple? What a terrible motivation! Do we truly think so little of our audience that we limit our writing to simplistic views, and even more simplistic characters?

    In life itself there are more colors than black and white, yet in many books those two shades are often all that is required to classify any character dwelling within. Why not allow the individuals that fill the pages of literature to blossom, gradually revealing the spectacular variations of color, texture, and shade dispersed throughout humanity?  Real people have depth, and real characters, though imagined, should also be deeper than a shallow pool.

    Katie’s review made mention of specific character development in Beltamar’s War several times. I’d like to highlight two instances in particular.

    The first was Katie’s mention of Adelmar, the antagonist, of whom she said, “I actually loved them all. Even Adelmar. I hated him for a bit. However, something changed. I became interested in him. I wanted to know more about him.

    In our lives nobody is simple, even the people we dislike the most are incredibly complex. Indeed, we might find ourselves wondering why they are as unpleasant as they are.  Or perhaps we might look at that coin from its other side and ask ourselves why we dislike them as much as we do. We might even question whether the apparent failing lies within them, or with us.

    The second instance is where Katie insightfully mentions the aspect of forbidden love between Faroene and Beltamar. Katie notes that Beltamar is matched to Daniskira and goes on to say “Normally this would bug me. Here, it didn’t. I wanted to know more.” Earlier in her review Katie said this, “I really do not even know what genre Beltamar’s War is in… Fantasy?” Great point, Katie. The overriding reason I framed this tale in the guise of the Fantasy genre, is that it encourages the reader to step outside of their normal, comfortable, safe, and ultimately judgmental box in order to examine ideas that would normally be taboo.  Fantasy allows the reader to loosen the reins and consider thoughts with a mind more open than usual – and in wanting to know more about something she would normally abhor, Katie has done precisely that.

    Our world is divisive. We are trained from a very young age to look on anyone who doesn’t approach life the way we do with deep suspicion. In fact, we’re so effectively primed to be prejudiced against difference that we don’t even realize we’ve been trained! For Malmaxa to work, the reader needs to throw out their preconceptions of how people should behave, and instead focus on why they behave the way they do.

    In Malmaxa, I try to plant the desire to understand motivation. I hope to have the reader opening a dialog with themselves in which they say, “I can see where they stepped wrong, but now I want to understand why they don’t realize they have.” That Katie vindicates my efforts truly delights me.  She sees how one of the most troubled people in Malmaxa is more than a monochromatic monster.  Katie also recognizes taboo behavior, but rather than judging it out of hand, as we are so prone to do, she struggles to understand why.  Thank you Katie!  {Please don’t misinterpret this as my advocating any particular behavior.}

    In reality, people are extremely complicated. Shouldn’t it be likewise in literature?  I believe characters should have the opportunity for more than superficial depth. And thus the apparent plethora of characters in Malmaxa. Every named individual in the tale has purpose.  Every one of them is the grit upon which others polish their facets, gain their depths, and reflect their vision of light back onto everyone with whom they interact.

    To me, character is much more than a one-dimensional reflection glimpsed from a flat mirror. Character is a precious, multi-faceted gem into which we must peer deeply if we are to appreciate its real beauty. My writing uses the mechanisms I’ve discussed in trying to achieve this depth, and thus the large cast of characters. Of course, it is entirely up to Malmaxa’s readers to decide if I am successful. I wonder if it is even possible to be successful, or whether my ambition in this regard has made me overstep my bounds.

    Finally let me say that I would be happy for you to judge my efforts, though I’d be as unhappy for you to judge me.  If you’re tempted, then why not start reading Beltamar’s War right now, right here on my blog in your web browser?

  • What lies between the lines.

    I recently wrote,

    One of the downsides of being a writer is that not only do we write words that aren’t there, fully expecting people to intuitively see them, but we also tend to read words that are never written.

    Which brings me to this post, which is in fact a review of “Beltamar’s War”, the first book in my epic series, Malmaxa, by one David Grigger, or @DaveGrigger as he appears on Twitter where I met him, in the virtual sense of that word.  David kindly gave me permission to republish his review here.  It was originally published on Medium.comGoodReads and Amazon. (The links will take you to those websites respectively).

    Why am I re-publishing David’s review here?  Foremost, as this is my blog I like to post things that mean a lot to me. This review means an enormous amount to me.  Why?  For the very reason highlighted at the top of this post.

    We write things “between the lines”, in anticipation people will see them…

    It becomes very disheartening when nobody seems to see the thoughts we think we have hidden in plain sight.  David was the first reader to really see between the lines in my writing. As such he has earned a very special place in my heart.  David, just so you know, it is for people like you that authors like me do what we do.  Thank you!  As partial payment of this Karmic debt I will be sending you a free copy of “The Pilgrimage” per this offer.  However your copy will be rather special, it will be printed not electronic, and it will also be be signed (I’ll email you for your preferred mailing address nearer the time.)

    Now, without more of my unnecessary verbiage, here is David Grigger’s review of my magnum opus, exactly as it first appeared on GoodReads.

    ۷۸۷۸۞۷۸۷۸

    By Dave Grigger.

    my full review is extremely verbose.
    why? Because that is how my mind works.
    swirling chaotic seemingly unrelated thoughts & ideas
    converge in my mind in such a way, that most just shake their head
    and that is ok

    this pre-mini review is for those that can’t/won’t invest time in reading full review.

    condensed version.

    10 out of 5 stars.
    Unique & completely without comparison.
    regardless of your “preferred” genre,
    will make you laugh, cry & become TOTALLY invested
    in the characters & the storyline.

    twitter version: top notch eye opening unprecedented finely crafted work of art. Regardless of preferred genre, anyone will enjoy.

    now for those who want the full story
    I offer this:

    start hear
    !won

    wtf?!
    what in the world does that mean?
    at first glance it appears to make no sense.
    and how does this relate to a book review.
    allow me to explain.

    C.G. Ayling has posted the beginning of his book here:
    https://cgayling.com/malmaxa/samples/m…

    being the crazy synchronicity anomaly twitter is, i don’t remember
    how i first came upon the author. i do remember loving his tweets.

    so i followed.

    the more enamored i became w/his mastery of the english language;
    the more i wanted to read.
    occasionally he would provide a link (the one above)
    and at least three (possibly more) times i started to read.
    first few lines and i knew.

    NOT for me. not my genre, prolly a little more than over my head.
    it just plain didn’t make sense (to me).
    so.

    start hear = start here, listening
    !won = flip & you have “now!”

    so by twisting the traditional way most of us are used to thinking,
    you have to stop, pause & THINK.

    “start listening here, now!”

    this disconcerting non-sensical feeling came over me when I tried to read just a few lines.
    but once the story unfolds a little bit, it clicks.

    why use this technique?
    because this is not “just a story”.
    this is an alternate philosophy of how things should be.

    to allow your mind the latitude to consider what is being said,
    you have to be kicked out of your comfort zone.
    once out of your element, you are able to see things differently.

    you may start to c things in a different light.
    because what you sea & what I see may not be the same.
    how come i’m doing a review on a book i’ve never read?
    well, i did eventually read it.

    now for the rest of the story
    just so happens that he posted a review someone else had done.
    and in this review, it was mentioned how in the beginning it is hard to follow.
    but that if you stick it out through the first chapter or two, the payoff is huge.
    so then i go back & notice this:

    “…my philosophic vision of a world stripped bare of all the trivialities that make humanity act so poorly.” ~C.G. Ayling
    philosophy! oh HELL YEAH! now we’re talking. ok, i’ll give it a go.
    since i was confident in the review (and the writer) i ordered the book.
    and so now the review.

    i was in the middle of a book when it arrived. so i just took a little taste.
    read the first 8 pages. lot of emotion & detail.
    the detail though had me like
    how i started this review.

    start hear, !won

    little bit lost & confused.

    but lest you think this is a negative, here is a tweet from after finishing the book:

    http://twitter.com/DaveGrigger/statuses/473164561529315328

    how many books have you ever read & the next day open it back up & re-read? “Beltamar’s War” by @CGAyling is the first for me.

    so i had a plan. went back to book i was reading
    (2 days later set it to side 1/2 read, too anxious to start “Beltamar’s War”).
    once i started, i knew for me i would need help through the first chapter or two.
    so i got out my notepad. wrote names & relationships of the main characters.
    when i got at spot i was unsure, just referred to my “cheat sheet”.
    after 20 pages i was golden. everything clicked & i was hooked.
    so much so that by page 80 this happened:

    http://twitter.com/DaveGrigger/statuses/471019739389501440

    crying so hard had to close my book & literally sit down. @CGAyling less than 1/4 of way thru kin-ected me to character so forcibly!

    and for those that trend towards conspiracy theories.
    NO, i am not he, & he is not me.
    he is however my sister. (inside joke)

    but I digress

    another thing I recommend doing while reading this book is pay close attention to every detail.
    the craftmanship is impeccable. It is literally a piece of fine art. the care, devotion & time (and there is no way you can convince me this was produced in less than a few decades) is self evident. the characters will become part of your family & you will wear their marks with pride.

    i would like to interject just a little food for thought & how it relates to this work.

    talking to my parents recently, we had a conversation about families & society. they related that how in their childhood there were not any “day cares” or “nursing homes”. extended families lived together (in smaller homes than average small family lives in now). also, daily baths were unheard of. saturday was bath day.

    so with all of our “progress” as a society; are we really better off?
    after you read the book, hit me up on twitter @DaveGrigger & we’ll chat.

    should philosophy not be your “thing”, that is ok.
    This work stands on it’s own as pure entertainment.

    As I mentioned earlier & wrote about here: https://medium.com/@DaveGrigger/i-cam…

    “but then someone else has a perspective of their work that intrigues me & i say wth let’s see what this is about. and my intuition doesn’t betray me. because the twitter identity is so true & real to the author identity i connect.
    in fact i connect so hard that i literally had to close the book & sit down & cry. twenty minutes later (lunch break is only 30) i get up & return to my so called “real life”. My connection to a simple water monger was so real. so true. so visceral as to belie any logic. i still tear up thinking about it.

    this all in less than 80 pages in to a book that is closer to 400. when an author can touch me @ that depth that quickly, in a genre not in my repatoire. he deserves special mention. @cgayling is one such author.
    my encounters with him on twitter, reignited a passion for words & poetry
    i honestly never knew existed. and should you think his interaction is merely a “ploy”. dig through his timeline. if something does not set with him, he will say so. not in a derogatory way, but more of a “agree to disagree” fashion.”

    I have not discussed this next bit of info w/the author. Just intuition. But I suspect that a significant percentage of this is autobiographical. This is not just a hobby. Nor is it a quick way to earn a buck. I dare say (though who doesn’t like money) that the main motivation is to take humanity by the shoulders & say “wake the “f” up.

    pay special attention to EVERY detail. there is not any frivoulous element here. if it is mentioned it has a purpose. twigs, rocks, trees symbols on the page. ALL have a meaning & a purpose.

    now halfway through my second reading this is even more evident. and if I know him at all, i believe the author has elements that won’t come to full fruition until the trilogy is complete. but his mastery of his craft is such that should you only read the first book, you will be pleased. *it is my firm belief though, that if you do take the leap of faith & read “Malmaxa I Beltamar’s War” that you will HAVE to read II & III.

    have you ever read a book (or watched a movie) and at the end go “hell, they used such & such plot device to manipulate me.” none of that is to be found here. the characters ring true in interactions with each other & their environment.

    if asked to compare to another author, i can honestly say that there is none that compare. this was not crafted for an easy buck. this is a mans soul, laid bare in hopes of helping humanity. as such, there is no equal. many things i have spoken of here i do not have “direct knowledge”. what i do have is an intuitive personality that allow me to connect with a few special people in a way that all would envy if they were to ever experience it.

    and speaking of understanding. while reading this book once will be rewarding & fulfilling to you. being half-way through my second reading i am confident in saying that multiple readings will be required to even begin to unravel the full message. the layers & nuances will transend any traditional understanding you believe you have about storytelling.

    this is fiction that contains a truth so real, so true; that to stare at it unfiltered would be as if to stare at the sun unaided. you would be enlightened, but in the process also possibly blinded. truth undiluted typically is not palatable. as such it is offered in a format as to which you can suspend disbelief, if even for just a moment so as to understand the universal truth that is held within the protective shell of “fantasy”.

    @DaveGrigger

     

     

     

  • Beltamar’s War. Re-Release!

    If you’re book reviewer I’d like to hear from you. If you’re a book reviewer who enjoys complex, thought provoking works like The Lord of the Rings by J.R.R Tolkien, or The Wheel of Time by Robert Jordan, I’d really love to hear from you!

    Yes, we’re all busy so how will you know if my work, Malmaxa, is for you? Easy, simply read the sample available right here, right in your web browser, right now.

    One of the nicest things about being an independent author is that we need never be content with our own words.
    -versus-
    One of the worst things about being an independent author is that it is very difficult to know when our own words no longer require refinement.

    I self-published the first novel in my series, Malmaxa, in June of 2012. Though I have been fortunate enough to garner good reviews, I’ve personally never been happy with it. It just wasn’t the best I felt it could be. So, with that in mind, I scraped together the money to have the work professionally edited. I engaged the fine folk at Warneke Reading for this task and have spent the last couple of months implementing their excellent suggestions. Ed and Natalie went far beyond what I felt was due. I say, without reservation, that the work they have done for me far exceeds the worth of the money I paid them.

    Naturally, during my implementation of their edits, I re-read Beltamar’s War. That was a mistake for two reasons.  One, I’m a man well past middle age, brought up to believe that men should not cry…  Two, I realized I am not happy with my own writing, and I doubt I ever will be. And thus the purpose of this post…

    Very soon I’ll be re-submitting the latest version of “Malmaxa I – Beltamar’s War” to Amazon. I’d love to build up a head of steam by getting the work into the hands of reviewers before I do so. Are you a reviewer interested in reading Malmaxa before it becomes available in its newest incarnation?  If so DM your email address, along with your preference of Kindle .MOBI or .PDF, to me on Twitter.  You can find me as @CGAyling, and yes, I do follow back. If you’re not on Twitter, you can contact me by replying to this post.

    But be warned, Malmaxa is not what it seems.

  • My daughter Julia’s review of Beltamar’s War.

    Magic of demise is misting the air here, drifting into the life of all around, poisoning it.

    All those who bear the marks will be forgiven.

    Living a lie, yes most are.

    Memories are warped by the color of their jewels.

    Apprehension felt by the young waiting for their skin to be carved along with their fate.

    Xenophobic Men killing for nothing but hate.

    Although there is bad in this world of mine,

    I see there is someone great

    slicing through the dark to avenge my kin and to spread the

    light.

    This is my final word.

    {Tonight my daughter Julia asked me to read her poem, and see if I knew what it meant. It appears above, verbatim. Julia first read Beltamar’s War at about age ten, she is about to read it again, but I think she grasped it quite well on her first pass.}

  • Marks of Family

    Our beloved daughter Julia sent me the image below.

    Lotus blossoms
    Lotus blossoms

    The wording down the image’s side is a quote from my work, Malmaxa.

    While writing the first book in the series, Beltamar’s War, I asked each of my children how they envisaged their marks. My interpretation of Julia’s description appears below, personally rendered into art that strives to emulate the words used to capture a mental image of her dream.

    My interpretation of my daughter's symbol.
    My interpretation of my daughter’s symbol.

    Some say, “A picture is worth a thousand words.” I don’t hold this to be true, there are many things a picture cannot capture, yet words can. Thoughts take this to another level entirely – they are elusive and hard to depict in either image, or word, yet artists manage.

    Were you in Malmaxa, how would your marks of family appear?

    Would you wear their symbols etched upon on your flesh, or in your heart?

  • The Z-Axis.

    A review by Amira K. Makansi, originally hosted on her blog, “The Z Axis.”  The full, un-edited text of Amira’s review appears below.

    Book Review: “Beltamar’s War (Malmaxa)” by C.G. Ayling

    I was really thrilled to have the opportunity to read and review BELTAMAR’S WAR by C. G. Ayling, a writer who I met and communicated with on Twitter and with whose writing I was impressed. I’m always a little nervous when I agree to read and review self-published books – I’ve read a fair few that have not merited the effort to finish the first few chapters, and have resulted in a waste of my time as well as a waste of the author’s. (I’ve also read a book or two by authors with whom I was initially impressed, and then when I opened the pages I was disappointed.) But there are gems out there – you just have to search for them. Imran Siddiq was one of them. (If you haven’t read my review of his Disconnect, please do, and follow him on Twitter.) Now, I have the pleasure of adding C.G. Ayling to the list of gems I have had the good fortune to find via Twitter.

    C.G. Ayling’s epic fantasy novel BELTAMAR’S WAR is set in the world of Malmaxa, and it’s clear that worldbuilding is one of Ayling’s strengths. Malmaxa is a fascinating place, and I enjoyed every little piece of new information I learned about the world. The Seizen, as the humans who inhabit this world are called, have a series of strange and fascinating rituals and magical abilities that were beautifully crafted and described. From the Chukras, the gems that give the Seizen their strength and skills, to the “marks” (aka tattoos) that define them as individuals and decorate their arms in deference to their ancestors, to the rules of the Gods that define their lives, Ayling’s world is vivid, complex, and mysterious.

    There are two stories that are told simultaneously. One is set in a peaceful village as the villagers prepare for the annual Convocation, which is the time of the year when all Seizen gather in the capital city to give new adults their Chukra, find a match (aka get married), and (presumably) worship the Gods. This plot line essentially follows one family as they prepare for the Convocation. The other half of the story is set with Ripkira, a battalion commander who faces off against a horde of groth, also known as the Ancient Enemy – vicious hounds who will rend the Seizen limb for limb and hunt them ruthlessly, unless the Seizen armies can hold them at bay.

    Ayling’s characters are his second great strength. As we follow these dual storylines, each character is well-developed and complex, as though Ayling knows them personally and summoned their strange and exotic souls to appear before us on paper (or the magnetic lighting of a Kindle, in my case). The only thing that could be said of them is that they are, perhaps, a little too perfect – though Ayling is careful to give them each a set of interesting, tangible flaws, rarely do any of them make the wrong decision, and if they do, they are contrite and honest about their failings. Their nobility and goodness is honorable – perhaps a little too much so. In fact, there is only one character in the book with anything resembling an evil streak. I’d like to see more of him in Book 2 – I’d like also to see his past and character deepened, so that we understand where his evil originates.

    And of course, there is the strength of the writing itself. I only caught two typos in the whole book – an impressive feat for an indie. Ayling’s writing is strong and charismatic, almost Biblical, as though it carries the weight of both mythology and history wrapped into one. There’s one scene, about two thirds of the way through, that entranced me: one of the younger characters, Rethga, embarks on what’s called a Vision Quest, which is basically a hallucinogen-inspired dream. The scene that follows is written like something out of Homer’s Odyssey. It brings symbolism, fantasy, and discovery equally to fruit as Rethga searches for his true identity, and the narrative style is magnificent.

    In fact, there’s only one real problem with the book (though it might be, to some, a large and glaring problem): Nothing really happens. Throughout the whole book. There’s one battle, which is a fairly climactic scene, but it doesn’t really lead anywhere and nothing ultimately comes of it. The plot meanders, by which I mean to say that things happen to the characters, and they interact in meaningful ways, but nothing really significant happens in terms of developing the plot or pushing the conflict along. We never really find out what the major conflict is, actually – is it the Seizen versus their Ancient Enemy, the groth? Is it the Seizen versus the Gods, as they struggle to control their fate? Is it Seizen versus Seizen as they fight to control evil in their midst? Early on, it seems as though the whole book is building towards some climactic confrontation, some war, or something grand that will happen at the Convocation – but it never comes. Nothing major ever happens. Where is the conflict? What are we building to, and what can we expect in the sequels?

    Now, please understand – all this really means is that I will be eagerly anticipating the sequel. Despite the rather bizarre lack of a driving plot, the book’s positive features, which I’ve outlined above, are enough to keep me interested – and more. I know there’s something big coming in the world of Malmaxa, and honestly, I can’t wait to find out what that is.

    Overall, a well-written, character-driven book that’s left me thirsting for more. I’m fudging on the rating on this one – I’m giving it 3.5 / 5 stars. Normally the lack of major plot action would be a big enough issue to drop it down to a three, but I so enjoyed the world, the characters, and the writing that I can’t bear to do that. So, 3.5 will have to suffice.

    Recommended for fans of Lord of the Rings, Daughter of Smoke and Bone, fantastical worlds, and creativity. Link to the Amazon purchase site is here.